_gabriel-basso-on-forcing-costar-luciane-buchanan-to-go-bungee-jumping-before-filming-the-night-agent-preview-1.jpg "Gabriel Basso on forcing costar Luciane Buchanan to go bungee jumping before filming The Night Agent from loana behind the scenes Video Screenshot Preview 1")
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![The Roland-Garros third-round match between Novak Djokovic and Lorenzo Musetti ended at 3:06 am — by far the latest finish in tournament history. Later on Sunday morning, Patrick Mouratoglou weighed in with his thoughts about Djokovic’s five-set victory.<br/><br/>Mouratoglou explained that the key for Djokovic, who trailed two sets to one, was that he was ready to pounce on any vulnerable moment for Musetti.<br/><br/>“Even at the most difficult moments, Djokovic made him feel, ‘I’m still here,’ the coach commented. “And believe me, if you have one little moment where you are going to start to hesitate, ‘I’ll be there.’ And he was there. And the momentum completely switched.”<br/><br/>Mouratoglou likened the four-hour and 14-minute match to a marathon in which Musetti was leading most of the way but Djokovic was always right on the Italian’s heels applying pressure.<br/><br/>“You know when you’re racing, when you’re running, imagine you’re doing a long race and you’re struggling because it’s tough,” Mouratoglou noted. “When you are leading, if there is someone behind you and you hear him, you hear his breath just behind you, it’s so tough because you feel, ‘if I slow down just a little bit I’m done, he’s going to pass me.’ [In] a tennis match it’s the same.”<br/><br/>KEY MOMENTS<br/>0.20 – An incredible match between two champions — one who is the GOAT<br/>0.35 – Musetti was playing the best tennis of his life in the second and third sets<br/>0.46 – Djokovic knew that his opponent’s level was not sustainable in a five-set match<br/>0.55 – It was inevitable that Musetti would hesitate mentally, and then Djokovic would strike<br/>1:25 – Even the smallest momentum shift can make someone go from playing their best to playing their worst<br/>1:44 – Mouratoglou compared the match to a long race, such as a marathon<br/>1:57 – If your opponent is leading, you have to make him feel like you are right behind him<br/>2:26 – When the leader starts to falter mentally and physically, you are there to take over](https://cdn9.mypornvid.fun/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KG3AlZwSwGxSOZRc_LKqYql9-ZwDjXFfbXR15HT9loyMcMP5zqJ-cK3tlAQN5v7P/(MyPornVid.fun)_eye-of-the-coach-91-djokovic-was-ready-to-pounce-in-marathon-against-musetti.webp "The Roland-Garros third-round match between Novak Djokovic and Lorenzo Musetti ended at 3:06 am — by far the latest finish in tournament history. Later on Sunday morning, Patrick Mouratoglou weighed in with his thoughts about Djokovic’s five-set victory.<br/><br/>Mouratoglou explained that the key for Djokovic, who trailed two sets to one, was that he was ready to pounce on any vulnerable moment for Musetti.<br/><br/>“Even at the most difficult moments, Djokovic made him feel, ‘I’m still here,’ the coach commented. “And believe me, if you have one little moment where you are going to start to hesitate, ‘I’ll be there.’ And he was there. And the momentum completely switched.”<br/><br/>Mouratoglou likened the four-hour and 14-minute match to a marathon in which Musetti was leading most of the way but Djokovic was always right on the Italian’s heels applying pressure.<br/><br/>“You know when you’re racing, when you’re running, imagine you’re doing a long race and you’re struggling because it’s tough,” Mouratoglou noted. “When you are leading, if there is someone behind you and you hear him, you hear his breath just behind you, it’s so tough because you feel, ‘if I slow down just a little bit I’m done, he’s going to pass me.’ [In] a tennis match it’s the same.”<br/><br/>KEY MOMENTS<br/>0.20 – An incredible match between two champions — one who is the GOAT<br/>0.35 – Musetti was playing the best tennis of his life in the second and third sets<br/>0.46 – Djokovic knew that his opponent’s level was not sustainable in a five-set match<br/>0.55 – It was inevitable that Musetti would hesitate mentally, and then Djokovic would strike<br/>1:25 – Even the smallest momentum shift can make someone go from playing their best to playing their worst<br/>1:44 – Mouratoglou compared the match to a long race, such as a marathon<br/>1:57 – If your opponent is leading, you have to make him feel like you are right behind him<br/>2:26 – When the leader starts to falter mentally and physically, you are there to take over")
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_physically-disabled-artists-speak-about-feeling-ostracised-within-the-art-world.webp "By JOHN DEVLIN and MARTYN McLAUGHLIN<br/><br/>Disabled artists across Scotland have called on venues, curators, and further education bodies involved in the visual arts scene to make widespread improvements around access and representation, with several practitioners warning of a lack of understanding of the barriers facing artists and audiences at cultural spaces.<br/><br/>A new documentary for The Scotsman, filmed and produced by John Devlin, reveals how some physically disabled artists have been unable to attend venues due to a lack of disabled access, and left feeling “unwelcome” due to the restrictions in place. They have questioned whether organisations unable to stage accessible exhibitions should continue to receive public funding, and warned the knock-on effect of a lack of representation could discourage young disabled Scots from pursuing a career in the arts.<br/><br/>The issues around accessibility and representation have flared up ahead of the upcoming Glasgow International festival of contemporary art. The programme for the prestigious biennial event includes an exhibition at the Celine Gallery, located on the the third floor of a tenement building in the city’s southside, accessible only by three flights of stairs. One artist, Penny Anderson, described that decision as “wrong.”<br/><br/>The Glasgow-based artist and sculptor, who has multiple sclerosis, said it was unclear who, if anyone, was responsible for ensuring such exhibitions were accessible, and was left frustrated after raising the issue with Glasgow Life, councillors in the city, and Creative Scotland.<br/><br/>Under the Equality Act 2010, art galleries are required to make “reasonable adjustments,” if asked, to ensure that disabled people can use its services. Ms Anderson said the legislation should be followed by Glasgow International. “They have to make reasonable adjustments to allow inclusion, and I think a reasonable adjustment is only including accessible galleries,” she explained.”<br/><br/>Ms Anderson told The Scotsman the accessibility issues went beyond any one gallery, and said there was a widespread lack of knowledge across the sector about how to include disabled artists and visitors. “They don’t understand the different levels of mobility impairment of physical disability,” she added. “I’ve had people say, ‘But we’ve got a ramp’. Ramps make my life even harder. What I need is stairs and a handrail. Even if you have a ramp, wheelchairs might not be able to use the ramp, and I think people think they know, and just assume they know, but they don’t actually ask disabled people.”<br/><br/>Ruth Mutch, an illustrator, who is autistic and has Hypermobile Ehlers-Danlos syndrome - a condition that affects the joints, causing hypermobility, digestive problems and joint pain as well as extreme fatigue - echoed Ms Anderson’s concerns, recounting her experience at college where she was unable to access materials without assistance.<br/><br/>")
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