Legally Blonde Spin-Off in the Works, Olivia Wilde and Margot Robbie to Collaborate on Comic Book Film Adaptation, Halle Bailey and Da'Vine Joy Randolph to Star in New Pharrell Williams Musical from casting big ass Watch Video

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✓ Published: 06-Apr-2024
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Reese Witherspoon and Amazon developing Legally Blonde spin-off series. Witherspoon is set to executive produce the series via Hello Sunshine media company. Other names connected to the project include Gossip Girl's Josh Schwartz and Stephanie Savage, Lauren Neustadter, and Marc Platt. Plot details and casting information have yet to be released. Olivia Wilde and Margot Robbie team up to bring comic Avengelyne to the big screen. The Don't Worry Darling director is pairing up with Robbie's entertainment company LuckyChap, which has recently produced hits such as Barbie and Saltburn, to bring the comic book character to life. X-Men producer Simon Kinberg is also signed on to produce the project. Pharrell Williams developing coming-of-age musical with Halle Bailey and Da'Vine Joy Randolph set to star. The currently untitled Universal Pictures film will be directed by Michel Gondry and is based on a script written by Martin Hynes and Steven Levenson. Actor Kelvin Harrison Jr. will also star alongside Bailey and Randolph. In today's birthday news: ABBA singer Agnetha Fältskog turns 74, Pearl Jam guitarist Mike McCready 58, actress Krista Allen 53, singer/producer Pharrell Williams 51, actor Sterling K. Brown 48, actress Hayley Atwell 42, and actress Lily James 35.

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Embark on an enchanting journey to Thailand's unique floating village, Koh Panyee, just a short two-hour boat ride from the vibrant shores of Phuket. Nestled amidst the tranquil waters of Phang Nga Bay, Koh Panyee is a captivating marvel of human ingenuity and resilience. As you approach the village, you'll be greeted by a breathtaking sight – colorful stilt houses seemingly suspended above the emerald-green waters, creating a vibrant tapestry against the backdrop of limestone cliffs.<br/><br/>Step ashore and immerse yourself in the rich tapestry of local life, where the rhythm of the sea dictates the pace of existence. Explore the labyrinthine network of wooden walkways and narrow alleyways that wind through the village, revealing hidden treasures at every turn. Discover bustling markets where locals trade fresh seafood and vibrant textiles, and witness the daily rituals of community life unfold before your eyes.<br/><br/>At the heart of Koh Panyee lies its beating soul – a vibrant community bound together by shared history, culture, and resilience. Engage with friendly locals, sample authentic Thai cuisine at waterfront eateries, or simply soak in the serenity of this floating oasis.<br/><br/>As the sun sets over the horizon, casting a golden glow across the tranquil waters, bid farewell to Koh Panyee, knowing that you've experienced a slice of Thailand's rich cultural tapestry that will linger in your memories for years to come.<br/>#KohPanyee<br/>#FloatingVillage<br/>#ThailandTravel<br/>#PhangNgaBay<br/>#CulturalExperience<br/>#LocalLife<br/>#CommunitySpirit<br/>#StiltHouses<br/>#SeafoodMarket<br/>#AuthenticThai<br/>#IslandAdventures<br/>#NatureBeauty<br/>#WaterfrontLiving<br/>#VillageLife<br/>#BoatTrip<br/>#MemorableJourney<br/>#TravelInspiration<br/>#ExploreThailand<br/>#HiddenGem<br/>#OffTheBeatenPath<br/>#SustainableTourism<br/>#AsiaTravel<br/>#DiscoverNature<br/>#CultureVulture<br/>#Wanderlust<br/>#BucketListDestination<br/>#TravelPhotography<br/>#AdventureAwaits<br/>#LocalCulture<br/>#ThailandParadise<br/>#SeasideLiving<br/>#TraditionalCrafts<br/>#TropicalEscape<br/>#EnchantingVillage<br/>#SeasideExploration<br/>#SustainableLiving<br/>#TravelExperience<br/>#IslandLife<br/>#AmazingThailand<br/>#TravelDiaries<br/>#ExoticDestinations<br/>#AuthenticExperience<br/>#ThailandVacation<br/>#LocalCommunity<br/>#TravelGoals<br/>#OceanViews<br/>#TropicalGetaway<br/>#CultureTrip<br/>#ThailandAdventure<br/>#UnforgettableExperience
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Produced by: K K Radhamohan <br/>Directed by: Karan L Butani <br/>Director of photography: G Srinivas Reddy <br/>Supervising Producer: Shamiraah Nambiar <br/>Story: Shiva <br/>Screenplay: Yunus Sajawal <br/>Dialogues: Mohit Srivastava, Kavin Dave <br/>Editor: Mayuresh Sawant <br/>BGM: Ketan Sodha<br/>Action Director: Vikram Dahiya, Dinesh Subbarayan <br/>Music composer: Vishal Mishra, Rajat Nagpal, Akashdeep Sengupta <br/>Production Design: Parijat Poddar, Baji Ramdas Patil, Deep Bhimajiyani <br/>Choreographer: Rajit Dev <br/>Visual Promotions: Ruben Trailer House <br/>Sound Design: Dhruv Parekh <br/>Re- recording Mixer: Koteswara Rao <br/>Costume Design: Tanushka Kitt, Shabi Sharma <br/>Casting Director: Mukesh Chhabra CSA, Kunal M Shah <br/>Executive Producer: Divesh Mathur, Nishant Kaushik <br/>Line Producer: Salim Mansoori<br/>Associate Editor: Rajendra Bhaat <br/>DI: Nube Circus <br/>Supervising Colorist: Navin Shetty <br/>Colorist: Zaheer Shaikh <br/>VFX: Identical Brains Studio, Hive FX Studioz <br/>Post Production Head: Kamran Shaikh <br/>Chief Assistant Director: Neha Jaiswal <br/>Marketing Director: Varun Gupta (Max Marketing) <br/>Media Consultant: Pearl Media Communications<br/>Publicity Design: Parass Kanani (House of Awe) <br/>Digital Marketing Agency: Spectra Digital<br/>
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The Most Brutal and Barbaric Case of Digital Tampering Ever: Unveiling the Truth Behind Café Olivier CCTV Footage Manipulation by Indonesian Police Officer<br/><br/><br/>EVIDENCE 2:<br/>CUTTING CCTV VIDEO FILE 9 INTO 2 PARTS AND PERFORMING DOWNSCALING ON THE FIRST SEGMENT<br/>Muhammad Nuh Al-Azhar and Christopher Hariman Rianto, coordinated by Krishna Murti, divided CCTV video 9 into two segments:<br/><br/>Segment 1: 15:35 – 16:59 Local Time<br/>The frame dimension was reduced to 960 x 576 px, and the frame rate was reduced to 10 frames per second. In this segment, it was necessary to observe the color of coffee served by Agus Triono at table 54 at 16:24:18 Local Time, yet Muhammad Nuh Al-Azhar blurred it instead.<br/><br/>Segment 2: 16:59 – 18:25 Local Time<br/>Frame dimension remained full high definition (FHD, 1920x1080 px), and the frame rate remained at 25 frames per second. However, it was here where the color of the remaining coffee that Mirna Salihin drank, taken by Sari at 17:21:20 Local Time, was observed.<br/><br/>Analysis<br/>In Segment 1, where the frame dimension was reduced and the frame rate was lowered, the deliberate blurring of the coffee served by Agus Triono at table 54 at 16:24:18 Local Time had significant consequences. This manipulation obscured crucial details that could have been pertinent to the investigation. Deliberately altering the footage in this manner raised suspicions of tampering or concealment of evidence.<br/><br/>Moving to Segment 2, where the frame dimension remained high definition and the frame rate was maintained at 25 frame per second, the deliberate manipulation of the coffee color consumed by Mirna Salihin becomed apparent. By maintaining the integrity of this segment while altering the previous one, the forensic experts created a stark contrast that potentially mislead the judges.<br/><br/>The non-equivalent comparison of coffee colors between the two segments, one downscaled and the other original, led to erroneous conclusions. This manipulation introduced inaccuracies in the analysis, distorting the true representation of events. The discrepancy in coffee colors identified by the forensic experts become a crucial point of contention, casting doubt on the validity of the entire forensic process.<br/><br/>The deliberate manipulation of the coffee color in the video footage posed significant challenges for toxicological analysis. Toxicologists, Nursamran Subandi and I Made Agus Gelgel, heavily relied on visual evidence to assess the presence of toxins, such as cyanide, in substances like coffee. However, when the color of the coffee was tampered with, toxicologists drawn inaccurate conclusions. For instance, if the manipulated footage portrayed the coffee as a different color than it actually was, toxicologists might misinterpreted the data and wrongly diagnosed the presence of toxins. This manipulation undermined the accuracy and reliability of the toxicological analysis, casting doubt on the validity of the findings and complicating the judicial process.<br/>
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‘Weekend’ follows Arundhati and Ranjit, a couple navigating the aftermath of the brutal rape and murder of 14-year-old Prajakta Salunke, in a village not far from the cosmopolitan city of Pune. While they are both committed to lending their voices in protest, Arundhati begins to question if an individual protected by their caste- and gender-derived privilege can truly be an ally. Her skepticism is manifested by Saau, a vocal activist who resents the hijacking of the protest, and of the anti-caste movement at large, by politically motivated individuals; and Malcolm, an academic who challenges Ranjit’s view of a fair, unbiased system.<br/><br/>Details of Cast & Crew :<br/><br/>Written and Directed by<br/>Arvind Gajanan Joshi<br/><br/>Lead Cast<br/>Anamika Dangre<br/>Trupti Ashok Gaikwad<br/>Nandu Madhav<br/>Sanjay Thakur<br/>Kaustubh Kumar<br/>Vikrant Mahalle<br/><br/>Produced by<br/>Sunanda Gajanan Joshi<br/><br/>Co-producers<br/>Sunil Chandurkar<br/>Bharat Mayekar<br/><br/>Director of Photography<br/>Abhijeet Vijaya Bhaskar<br/><br/>Associate Producer<br/>Harsh Pundit <br/><br/>Executive Producer<br/>Bobby Adhale<br/><br/>Editing<br/>Sagar<br/>Arvind Gajanan Joshi<br/><br/>Background Score<br/>Sarang Kulkarni<br/><br/>Sound Designer<br/>Aditya Vikasrao Deshmukh<br/><br/>Art Direction<br/>Nishchay- Atal<br/><br/>Costume<br/>Shrutika Vasave Bhosale <br/><br/>Makeup<br/>Umesh Jadhav <br/><br/>DI Colorist<br/>Milan Rathod<br/><br/>'Vara vishamtecha' song lyrics, composition and vocals by Charan Jadhav<br/><br/>Casting by<br/>The Dramalay Casting Company<br/><br/> <br/><br/>Production by<br/>Film Mechanic Productions
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Adrian Schiller’s award-winning drink-driving advert has resurfaced following his sudden death at 60.<br/><br/>Scott Marshall Partners, who represented the father-of-one for more than three decades, said: “He has died far too soon, and we, his family and close friends are devastated by the loss.”<br/><br/>Schiller became the face of the government’s anti-drink-driving campaign titled Moment of Doubt which aired on British TV.<br/><br/>It was part of the Department for Transports Think! Road Safety campaign in 2007.<br/><br/>In December 2008 the advert won Best Casting at the BTACA awards.
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