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_michael-keaton-admits-it-was-a-92.webp "Michael Keaton admits that Tim Burton took a big risk when casting him as Batman for his 1989 movie about the Caped Crusader.")
_8-tv-dream-castings-that-actually-came-true.webp "Somebody give Nick Offerman an award!")
_michael-keaton-admits-it-was-a-92.webp "Michael Keaton admits that Tim Burton took a big risk when casting him as Batman for his 1989 movie about the Caped Crusader.")
_vin-diesel39s-daughter-suggests-jennifer-lawrence-for-xxx-sequel.webp "Vin Diesel's daughter, moved by the script of the XXX sequel, suggested Jennifer Lawrence play Vin's sister. Vin shared her emotional reaction on Instagram, hinting at potential casting choices. Amidst other projects, including Fast & Furious finale, Universal's Kojak, and Riddick4, the sequel's fate remains undecided. With Lawrence in consideration, fans await eagerly for further developments. #VinDiesel #JenniferLawrence #XXXSequel")
_124-bairi-hoy-toh-kevi-124-gujrati-dubbed-short-film-124-naveen-124-purbi.webp "#heroine #bhojpurifilm #bhojpuri <br/>Synopsis - Prerna, an aspiring actress who has aspirations of Bollywood goes to Mumbai to chase her dreams. In order to learn and earn, also to prove herself she does tv ads and works as a background dancer. Samriddhi aka Sam enters in Prerna’s life as her roommate. Sam is an extraordinarily manipulative girl who has no boundaries to leave behind when it comes to money.<br/>Prerna meets a casting director Manav and their friendship develops. Being an experience holder from the same industry Manav always supports Prerna during her good and bad days. Meanwhile Sam weaves a web with Angad against Prerna for the sake of money. Prerna refuses to have a one night stand with Angad and throws Sam out of her life. Broken and depressed start questioning her career and her life choices. She decides to commit suicide but Manav encourages and convinces her to leave the past and to give a second chance to her life.Will Prerna be able to overcome her grief and fear? Will she be able to trust Manav?<br/><br/>F3 Studioz Presents \")
_michael-keaton-admits-it-was-a-92.webp "Michael Keaton admits that Tim Burton took a big risk when casting him as Batman for his 1989 movie about the Caped Crusader.")
_evidence-2-the-most-brutal-and-barbaric-case-of-digital-tampering-ever-done.webp "The Most Brutal and Barbaric Case of Digital Tampering Ever: Unveiling the Truth Behind Café Olivier CCTV Footage Manipulation by Indonesian Police Officer<br/><br/><br/>EVIDENCE 2:<br/>CUTTING CCTV VIDEO FILE 9 INTO 2 PARTS AND PERFORMING DOWNSCALING ON THE FIRST SEGMENT<br/>Muhammad Nuh Al-Azhar and Christopher Hariman Rianto, coordinated by Krishna Murti, divided CCTV video 9 into two segments:<br/><br/>Segment 1: 15:35 – 16:59 Local Time<br/>The frame dimension was reduced to 960 x 576 px, and the frame rate was reduced to 10 frames per second. In this segment, it was necessary to observe the color of coffee served by Agus Triono at table 54 at 16:24:18 Local Time, yet Muhammad Nuh Al-Azhar blurred it instead.<br/><br/>Segment 2: 16:59 – 18:25 Local Time<br/>Frame dimension remained full high definition (FHD, 1920x1080 px), and the frame rate remained at 25 frames per second. However, it was here where the color of the remaining coffee that Mirna Salihin drank, taken by Sari at 17:21:20 Local Time, was observed.<br/><br/>Analysis<br/>In Segment 1, where the frame dimension was reduced and the frame rate was lowered, the deliberate blurring of the coffee served by Agus Triono at table 54 at 16:24:18 Local Time had significant consequences. This manipulation obscured crucial details that could have been pertinent to the investigation. Deliberately altering the footage in this manner raised suspicions of tampering or concealment of evidence.<br/><br/>Moving to Segment 2, where the frame dimension remained high definition and the frame rate was maintained at 25 frame per second, the deliberate manipulation of the coffee color consumed by Mirna Salihin becomed apparent. By maintaining the integrity of this segment while altering the previous one, the forensic experts created a stark contrast that potentially mislead the judges.<br/><br/>The non-equivalent comparison of coffee colors between the two segments, one downscaled and the other original, led to erroneous conclusions. This manipulation introduced inaccuracies in the analysis, distorting the true representation of events. The discrepancy in coffee colors identified by the forensic experts become a crucial point of contention, casting doubt on the validity of the entire forensic process.<br/><br/>The deliberate manipulation of the coffee color in the video footage posed significant challenges for toxicological analysis. Toxicologists, Nursamran Subandi and I Made Agus Gelgel, heavily relied on visual evidence to assess the presence of toxins, such as cyanide, in substances like coffee. However, when the color of the coffee was tampered with, toxicologists drawn inaccurate conclusions. For instance, if the manipulated footage portrayed the coffee as a different color than it actually was, toxicologists might misinterpreted the data and wrongly diagnosed the presence of toxins. This manipulation undermined the accuracy and reliability of the toxicological analysis, casting doubt on the validity of the findings and complicating the judicial process.<br/>")
_2-pac-amp-danny-boy-i-ain39t-mad-at-cha-www-etoile-app.webp "(CLASSIC LYRICS)<br/>Change, shit<br/>I guess change is good for any of us<br/>Whatever it take for any of y'all niggas to get up out the hood<br/>Shit, I'm witcha, I ain't mad at cha<br/>Got nothin' but love for ya, do your thing, boy<br/>Yeah, all the homies that I ain't talk to in a while<br/>I'ma send this one out for y'all, kna' mean?<br/>'Cause I ain't mad at cha<br/>Heard y'all tearin' up shit out there, kickin' up dust<br/>Givin' a motherfuck<br/>Yeah, niggas (mad at cha)<br/>'Cause I ain't mad at cha<br/>Now we was once two niggas of the same kind<br/>Quick to holla at a hoochie with the same line<br/>You was just a little smaller but you still rolled<br/>Got stretched to Y.A. and hit the hood swole<br/>'Member when you had a Jheri Curl, didn't quite learn<br/>On the block, witcha Glock, trippin' off sherm<br/>Collect calls to the till, sayin' how ya changed<br/>Oh, you a Muslim now, no more dope game<br/>Heard you might be comin' home, just got bail<br/>Wanna go to the Mosque, don't wanna chase tail<br/>I seems I lost my little homie, he's a changed man<br/>Hit the pen' and now no sinnin' is the game plan<br/>When I talk about money, all you see is the struggle<br/>When I tell you I'm livin' large, you tell me it's trouble<br/>Congratulations on the weddin', I hope your wife know<br/>She got a playa for life, and that's no bullshittin'<br/>I know we grew apart, you probably don't remember<br/>I used to fiend for your sister, but never went up in her<br/>And I can see us after school, we'd bomb<br/>On the first motherfucker with the wrong shit on<br/>Now the whole shit's changed, and we don't even kick it<br/>Got a big money scheme, and you ain't even with it<br/>Hmm, knew in my heart you was the same motherfucker that<br/>Go toe-to-toe when it's time for roll, you got a brother's back<br/>And I can't even trip, 'cause I'm just laughin' at cha<br/>You tryin' hard to maintain, then go 'head<br/>'Cause I ain't mad at cha<br/>(Hmm) (I ain't mad at cha)<br/>I ain't, mad, at cha (I ain't mad at cha)<br/>I ain't, mad, at cha<br/>We used to be like distant cousins, fightin', playin' dozens<br/>Whole neighborhood buzzin', knowin', that we wasn't<br/>Used to catch us on the roof or behind the stairs<br/>I'm gettin' blitzed and I reminisce on all the times we shared<br/>Besides bumpin' and grindin', wasn't nothin' on our mind<br/>In time we learned to live a life of crime<br/>Rewind us back, to a time was much too young to know<br/>I caught a felony lovin' the way the guns blow<br/>And even though we separated, you said that you'd wait<br/>Don't give nobody no coochie while I be locked upstate<br/>I kiss my mama goodbye, and wipe the tears from her lonely eyes<br/>Said I'll return but I gotta fight the fate's arrived<br/>Don't shed a tear, 'cause mama I ain't happy here<br/>I'm through trial, no more smiles, for a couple years<br/>They got me goin' mad, I'm knockin' busters on they backs<br/>In my cell, thinkin, \")
_adrian-schillers-drink-driving-advert-resurfaces-following-actors-sudden-death.webp "Adrian Schiller’s award-winning drink-driving advert has resurfaced following his sudden death at 60.<br/><br/>Scott Marshall Partners, who represented the father-of-one for more than three decades, said: “He has died far too soon, and we, his family and close friends are devastated by the loss.”<br/><br/>Schiller became the face of the government’s anti-drink-driving campaign titled Moment of Doubt which aired on British TV.<br/><br/>It was part of the Department for Transports Think! Road Safety campaign in 2007.<br/><br/>In December 2008 the advert won Best Casting at the BTACA awards.")
_adrian-schillers-drink-driving-advert-resurfaces-following-actors-sudden-death.webp "Adrian Schiller’s award-winning drink-driving advert has resurfaced following his sudden death at 60.<br/><br/>Scott Marshall Partners, who represented the father-of-one for more than three decades, said: “He has died far too soon, and we, his family and close friends are devastated by the loss.”<br/><br/>Schiller became the face of the government’s anti-drink-driving campaign titled Moment of Doubt which aired on British TV.<br/><br/>It was part of the Department for Transports Think! Road Safety campaign in 2007.<br/><br/>In December 2008 the advert won Best Casting at the BTACA awards.")
_adrian-schillers-drink-driving-advert-resurfaces-following-actors-sudden-death.webp "Adrian Schiller’s award-winning drink-driving advert has resurfaced following his sudden death at 60.<br/><br/>Scott Marshall Partners, who represented the father-of-one for more than three decades, said: “He has died far too soon, and we, his family and close friends are devastated by the loss.”<br/><br/>Schiller became the face of the government’s anti-drink-driving campaign titled Moment of Doubt which aired on British TV.<br/><br/>It was part of the Department for Transports Think! Road Safety campaign in 2007.<br/><br/>In December 2008 the advert won Best Casting at the BTACA awards.")
_desert-twilight-joshua-tree-modling-of-a-beautiful-girl-in-short-dress.webp "Step into the mesmerizing realm of the desert twilight at Joshua Tree, where the fading sun casts a golden hue over the rugged landscape. Amidst the towering Joshua trees and rocky outcrops, a vision of beauty emerges - Katherinne Rodriguez, adorned in a stunning short dress, becomes the epitome of elegance against the desert backdrop.<br/><br/>As the last rays of sunlight dance across the horizon, Katherinne captivates with her grace and poise, her silhouette framed by the ethereal glow of dusk. With each step, she exudes confidence and allure, her presence a harmonious blend of strength and serenity amidst the desert wilderness.<br/><br/>Against the backdrop of the Joshua Tree's iconic silhouettes, Katherinne's modeling prowess shines through, effortlessly showcasing the beauty of both the desert landscape and the human form. Her movements are like poetry in motion, each pose telling a story of resilience and beauty in the face of nature's grandeur.<br/><br/>As the desert twilight deepens, casting shadows upon the land, Katherinne remains a beacon of light, her radiant presence illuminating the desert night. In this enchanting moment, amidst the vast expanse of Joshua Tree, beauty truly knows no bounds.<br/><br/>Hatch tags:<br/>#DesertTwilight<br/>#JoshuaTree<br/>#Modeling<br/>#BeautifulGirl<br/>#KatherinneRodriguez<br/>#ShortDress<br/>#Elegance<br/>#NaturalBeauty<br/>#SunsetPhotoshoot<br/>#DesertGlamour<br/>#DuskMagic<br/>#FashionInNature<br/>#IconicLandscapes<br/>#FashionPhotography<br/>#TwilightVibes<br/>#WildernessBeauty<br/>#DesertTwilight<br/>#JoshuaTreeNationalPark<br/>#ModelingShoot<br/>#FashionPhotography<br/>#NaturalBeauty<br/>#SunsetGlamour<br/>#DesertElegance<br/>#KatherinneRodriguez<br/>#ShortDressStyle<br/>#GoldenHourGlow<br/>#TwilightMagic<br/>#DesertFashion<br/>#WildernessChic<br/>#ModelLife<br/>#GlamorousSunset<br/>#DuskVibes<br/>#Fashionista<br/>#DesertSerenity<br/>#IconicLandscapes<br/>#ModelBehavior<br/>#FashionIcon<br/>#NaturePhotography<br/>#DesertDreams<br/>#SunsetGoddess<br/>#FashionInNature<br/>#JoshuaTreeBeauty<br/>#ModelInspiration<br/>#SunsetSilhouette<br/>#FashionistaLife<br/>#NaturalElegance<br/>#DesertGoddess<br/>#ModelPose<br/>#SunsetMagic<br/>#FashionForward<br/>#DesertCharm<br/>#ModelingLife<br/>#SunsetDreams<br/>#FashionGlamour<br/>#DesertGlow<br/>#ModelingAgency<br/>#SunsetSerenade<br/>#FashionStatement<br/>#DesertFashionista<br/>#ModelingExcellence<br/>#SunsetSplendor<br/>#FashionistaVibes<br/>#DesertDusk<br/>#ModelingMastery<br/>#SunsetChic<br/>#FashionInspirations")
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