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_kam-teaser-1.webp "yazan - yöneten: can bora oyuncular: goncagül sunar, yunus günçe, başak kıvılcım ertanoğlu, halil ibrahim ırklı, can boravideografi: fırat gürgen müzik: mabel matiz, selin damar giysi tasarımı: selim baklacı sponsor: canonnnmore info : www.can-bora.com")
_mahallenin-muhtarlar-9234goncagl-reklam-oldu9234-174-blm.webp "Mahallenin Muhtarları")
_goncagl-sunar-dnyann-stndeyim.webp "netd müzik")
_a-letter-to-the-walls-abdullah.webp "Produced as part of Plural Heritages of Istanbul: the Case of the Land WallsnnHow do different communities give meaning to major heritage sites? What happens such meanings are intertwined with histories of conflict and marginalisation, or are not recognised in official heritage interpretations? nnThe project explores the ‘plural heritages’ of the Istanbul Land (‘Theodosian’) Walls and their environs. This 5th-Century CE UNESCO World Heritage site stretches over six kilometres through the")
_goncagl-sunar-eytanlar.webp "paga play")
_kzl-goncalar-2-blm-1-n-zleme-124-9234yapma-yaptrma-9234.webp "Kızıl Goncalar")
_a-walk-near-the-walls-cem.webp "Produced as part of Plural Heritages of Istanbul: the Case of the Land WallsnnHow do different communities give meaning to major heritage sites? What happens such meanings are intertwined with histories of conflict and marginalisation, or are not recognised in official heritage interpretations? nnThe project explores the ‘plural heritages’ of the Istanbul Land (‘Theodosian’) Walls and their environs. This 5th-Century CE UNESCO World Heritage site stretches over six kilometres through the")
_gnlk-ky-hayatmz-124-datann-yamurlu-gneli-gnleri-124-ep-56.webp "RawThyself")
_a-walk-near-the-walls-yakup.webp "A nearby area to the Land Walls, introduced by a resident.nnProduced as part of Plural Heritages of Istanbul: the Case of the Land WallsnnHow do different communities give meaning to major heritage sites? What happens such meanings are intertwined with histories of conflict and marginalisation, or are not recognised in official heritage interpretations? nnThe project explores the ‘plural heritages’ of the Istanbul Land (‘Theodosian’) Walls and their environs. This 5th-Century CE UNESCO W")
_stand-ins-for-sound-selin.webp "What are the sounds of the Land Walls in the past and the present?nnProduced as part of Plural Heritages of Istanbul: the Case of the Land WallsnnHow do different communities give meaning to major heritage sites? What happens such meanings are intertwined with histories of conflict and marginalisation, or are not recognised in official heritage interpretations? nnThe project explores the ‘plural heritages’ of the Istanbul Land (‘Theodosian’) Walls and their environs. This 5th-Century C")
_a-walk-near-the-walls-semen.webp "A nearby area to the Land Walls, introduced by a resident.nnProduced as part of Plural Heritages of Istanbul: the Case of the Land WallsnnHow do different communities give meaning to major heritage sites? What happens such meanings are intertwined with histories of conflict and marginalisation, or are not recognised in official heritage interpretations? nnThe project explores the ‘plural heritages’ of the Istanbul Land (‘Theodosian’) Walls and their environs. This 5th-Century CE UNESCO W")
_telif-hakk-efendimize-ait.webp "Metin Karabaşoğlu TRT Diyanet'in(TRT Anadolu) sahur programıBereket Vakti'nde Hüseyin Goncagül'ün konuğu idi.nProgramın sunucusu Hüseyin Goncagül soruyor, Metin Karabaşoğlu hadisten mülhem mizahın diliyle iman dilini çok güzel buluşturmuş, cevaplar veriyor:nn-Çok doğal tebessüm ediyorsunuz? Neye bağlıyorsunuz?n-Fakirlikten herhalde.n-Neden?n-Fakirlikten herhalde.n-Allah Allah. Doğru, zenginler gülemiyorlar onu mu demek istiyorsunuz?n-Yok, hayır. Sadaka olarak verecek")
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