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_christopher-bell-wins-rain-shortened-coca-cola-600---nascar.webp "Christopher Bell wins rain-shortened Coca-Cola 600 _ NASCAR.<br/>coca-cola 600,christopher bell,coca-cola 600 race,christopher bell: 'what a twist of emotions' after win | nascar,coca cola 600,logano wins the all-star race,shane van gisburgen wins nascar,ryan blaney wins,coca-cola,svg wins,ricky stenhouse jr. swings on kyle busch post-race at north wilkesboro,coke 600 bets,chris pennell,bristol dirt race,short track tempers,short story,bristol dirt race 2022,heartwarming stories,bristol motor speedway,bristol dirt")
_the-garfield-movie-124-tv-spot-bathtub.webp "After an unexpected reunion with his long-lost father, Garfield and Odie are forced from their pampered lives into a hilarious, high-stakes heist.")
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_world-championship-wrestling-0292-2492-90-vhsrip.webp "2/15/90; Gainesville, GA; Georgia Mountains Center<br/>2/24/90 – hosted by Jim Ross & Jim Cornette; included info on how fans could send ‘Get well’ wishes to Sting in the hospital; featured footage from the previous week of Jim Ross conducting an interview at the hospital with Sting about his injury, missing his title shot against NWA World Champion Ric Flair, and potentially being out six months to a year; footage was then shown from the previous week’s episode of NWA US Champion Lex Luger attacking the Horsemen to show he wouldn’t give up his match with NWA World Champion Ric Flair at Wrestle War; included Ross conducting a podium interview with Flair, with Woman, and the Andersons about Luger’s decision to keep the match with Flair; featured a Roos ad featuring Sting; included a Roos ad featuring the Road Warriors; featured the WCW US Tag Team Championship Semi-Final match from the 2/17/90 Worldwide between Shane Douglas & Johnny Ace and Michael Hayes & Jimmy Garvin; included the Wrestle War Rap, slightly altered to announce Flair vs. Luger instead of Flair vs. Sting; featured footage from the previous week of NWA Tag Team Champions Rick & Scott Steiner being laid out by the Andersons; included Ross conducting a podium interview with the Steiners in which they said the Andersons may be their elders but the Steiners were better; featured a Roos commercial featuring Luger; included the WCW US Tag Team Championship Semi-Final match from the 2/17/90 Worldwide between Brian Pillman & Tom Zenk and Bobby Eaton & Stan Lane, followed by a promo by Pillman & Zenk about being in the finals and facing Hayes & Garvin at Wrestle War; featured a promo by Luger about Flair; included a Roos ad featuring Rick Steiner; featured a promo by Teddy Long, with Mark Callous, about facing the Road Warriors at Wrestle War; included a closing announcement that the Andersons, Doom, and Cactus Jack Manson would be part of the following night’s The Main Event, and Ricky Morton & Robert Gibson would face Hayes & Garvin the next week:<br/>NWA TV Champion Arn Anderson & Ole Anderson defeated the Italian Stallion & Ranger Ross at 5:26 when Arn pinned Stallion with the DDT<br/>Kevin Sullivan & Cactus Jack Manson defeated Bob Cook & Paul Drake at 4:22 when Sullivan pinned Drake with a spike piledriver; early in the match, Sullivan cut an insert promo in which he questioned whether Cactus was a genius or insane; during the match, Norman was shown in the crowd; moments later, Cactus confronted Norman at ringside, with Norman headbutting Cactus before leaving<br/>NWA US Champion Lex Luger defeated Rick Fargo via submission with the Torture Rack at the 39-second mark; late in the contest, NWA World Champion Ric Flair, NWA TV Champion Arn Anderson, & Ole Anderson appeared ringside, with NWA Tag Team Champions Rick & Scott Steiner then appearing as well to prevent Luger being attacked<br/>Doug Furnas pinned Hacksaw Higgins with a legdrop off the top at 4:59<br/>The Road Warriors (w/ Paul Ellering) defeated th")
_boro-ma-124-124-jidan-124-sabbir-124-hasi-moon-l-snigdha-124-hasanuzzaman-jewel-124-new-bangla-natok-2024-part-3.webp "Please Subscribe to our Channel RAAD MULTIMEDIA and Enjoy more Bangla Natok Videos.<br/><br/>Presenting the official drama of Hasanuzzaman Jewel’s “Boro Ma”. Written and Directed by Hasanuzzaman Jewel, Starring Sabbir Ahmed, Tabassum Mithila, Jidan Sarker & many others. Producer Burhan Uddin and produced by Raad Multimedia.<br/><br/>Drama: BORO MA | বড় মা<br/>Script & Direction: Hasanuzzaman Jewel<br/>Cast: Sabbir Ahmed, Jidan Sarker Asu, Tabassum Mithila, Hasimoon & Snigdha Hossain.<br/>Cinematography: Kamruzzaman Sarker Tumon<br/>Edit & Digital Distribute: Sadik Mahamud Sifat<br/>Colour & Title: Siam Mahmud<br/>BGM: S M Sarwer<br/>Chief AD: Khalid Bin Bari<br/>Produced By: Raad Multimedia<br/><br/>Enjoy and stay connected with us on Social Media !!<br/><br/>Facebook Fan Page: https://www.facebook.com/profile.php?id=100072324906393<br/><br/>All rights reserved by RAAD MULTIMEDIA. This Visual and Audio Element is Copyrighted Content of RAAD MULTIMEDIA. Any Unauthorized Publishing is Strictly Prohibited.<br/><br/>#BanglaNatok #RaadMultimedia #natok <br/><br/>Possible Keywords: BORO MA | বড় মা | Jidan | Sabbir | Hasi Moon l Snigdha | Hasanuzzaman Jewel | New Bangla Natok 2024")
⏲ 6:44 👁 35K
_she-saidwho-wants-to-see--marriagehumor-couplecomedy-prank-wife.webp "She said”Who wants to see_!” #marriagehumor #couplecomedy #prank #wife")
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_world-championship-wrestling-0292-1092-90.webp "1/31/90; Atlanta, GA; Center Stage Theatre<br/>2/10/90 – hosted by Jim Ross & Jim Cornette; included footage from Clash of Champions of NWA World Champion Ric Flair, NWA TV Champion Arn Anderson, & Ole Anderson attacking Sting and kicking him out of the Four Horsemen, with Sting & Flair later brawling in the aisle during the main event; featured comments from the Horsemen who claimed they were glad to be themselves again and Sting would pay for signing a title match with Flair; included the Shane Douglas & Johnny Ace vs. MOD Squad match from 2/3/90 Worldwide; featured comments from the Road Warriors, along with Paul Ellering, who claimed they would stand by Sting’s side against the Horsemen and would destroy Dan Spivey & Mark Callous in a Chicago Street Fight; included comments from Teddy Long, Spivey, & Callous who claimed the Road Warriors would end up like the “Roadrunner” against them; featured Cornette ranting about the return of Ricky Morton & Robert Gibson to the NWA and Cornette claiming Stan Lane & Bobby Eaton would run Morton & Gibson out of the company in their very first match, as well as capture the NWA US Tag Team Titles; included a promo with Missy Hyatt mentioning her new role as Ross’ co-host on The Main Event; featured comments from Brian Pillman, who claimed Flair lost all his respect by turning on Sting; included the Rip Morgan & Jack Victory vs. Pillman & Tom Zenk match from 2/3/90 Worldwide; featured a Louisville Slugger segment with Cornette interviewing Steve Williams, who claimed he would take the NWA US Title from Lex Luger at Wrestle War, with Williams not interested in Cornette’s managerial services; included comments from the Andersons who claimed NWA Tag Team Champions Rick & Scott Steiner would have to deal with them; featured comments from the Gladiator who was upset he wasn’t on the cover of Wrestling Wrap-Up and challenged Sting to a match next week; included Gordon Solie interviewing Sting who claimed he had a good thing going with the Four Horsemen and mentioned Flair was fearful of Sting coming after his title due to beating Flair at Starrcade, with Sting guaranteeing that he would win the title at Wrestle War; featured Ross interviewing Kevin Sullivan who claimed madness was taking over the NWA and that he found a man who’s insanity could be controlled; included a closing report by Ross reporting that Sting’s knee had been severely damaged due to a Horsemen attack, with Sting in the hospital, and more information would be released as it developed:<br/>Norman pinned Pat Rose at 3:31 with a sit-down splash; prior to the bout, Norman commented on how much he enjoys reading Wrestling Wrap-Up<br/>The Road Warriors (w/ Paul Ellering) defeatred Sgt. Buddy Lee Parker & Lt. James Earl Wright at 3:00 when Road Warrior Animal pinned Parker with a powerslam off the middle rope<br/>Dan Spivey & Mark Callous (w/ Teddy Long) defeated Sean Regal & Zan Panzer at 1:42 when Spivey pinned Regal with a powerbomb; after the bout, Callous hit a ro")
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_y2meta-app-full-match-undertaker-amp-roman-reigns-vs-drew-mcintyre-amp-shane-mcmahon--wwe-extreme-rules-2019-1080p.webp "Y2meta.app-FULL MATCH - Undertaker & Roman Reigns vs. Drew McIntyre & Shane McMahon_ WWE Extreme Rules 2019-(1080p)")
⏲ 21:57 👁 20K
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.webp "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
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